Showing posts with label portrait. Show all posts
Showing posts with label portrait. Show all posts

Thursday, 13 June 2013

Wild & free, but what is the reality?



The graduation frenzy is upon us & I have just returned from the first batch of 'Free Range' students shows at The Truman Brewery. The next batch will have their private view next week.

As always, I had a lot of thoughts about what was on display, how it was displayed & in some cases why it was displayed?

The usual round up of highlights is all well & good but before that I think the true meaning of being a graduate must be taken into consideration. A lovely drunken night celebrating the culmination of three years work on the walls of a big old industrial building is great fun, but what happens next......?

Honestly, this will probably not be what you would expect.

Rachel, BA Photography
©Matthew Sheather

This is why I have to mention the lovely young man, Matthew Sheather from Plymouth College of Art - who approached me when I came over to look at his work. (Incidentally, he was the only one who did this.) Not only was he sober, but he was very engaging and passionate about his work. The merits of his attitude I felt too important to pass by without comment. He pitched his project well & made me look more closely at his work for longer than I would have otherwise. 

One of the problems with big degree shows is that you can get photo-fatigue quite quickly as there are often similar projects on display and repetitive themes result in a less engaged audience. 


Spot the art
©Laura Noble

What really fascinated me was the brave choice of Matthews project, 'When The Crow Flies'. I had at this point seen a LOT of portraits at Free Range, notable in their abundance this year. Some were better than others, but I was not really 'feeling' many of them.

The difficulty with only three portraits from the series on display meant that I hadn't seen the story behind the work beyond three portraits of people in their work uniforms. Also the titles of the work were not on display, which would have revealed much more about the series. (Artists statements are helpful if you are drawn to a particular series - but not to read on the opening night - you would be there until the morning!) I know that many universities wrestle with the 'caption' question but sometimes they really help when there are this many students works from different universities on display. 


Rosie, BA Textiles
©Matthew Sheather


It was a refreshing reality check both for myself & for the students to have a glimpse into the future of graduates (just like themselves) who only 12 months ago were celebrating the completion of their degree. Photographed at work, their current occupations (in the case of the three on display) are far removed from the subjects they had studied.

I asked if there were images of men also; 'Yes' came the reply, 'about half of each in the series of 19 pictures'. Unfortunately they are not on display on Matthew's site yet, but I expect that will change... 

Sundry Socket Arrangement
©Laura Noble

So the thing that made the greatest impression this evening wasn't a body of work but an individual who has looked into the future & had not shied away from the uncomfortable realities of being a graduate today. Don't despair, but be realistic & aim high, but do it well. All the Camera Lucida quotes in the world won't get you a job if you aren't willing to stick your neck out & be noticed. Be polite, friendly & unafraid to show your devotion to your practice, you never know who may be looking at your website the minute they get home, or even writing a blog about it....

Monday, 8 April 2013

A long time coming....meeting the stars



Well it is finally here, the wonderful & amazing Lottie Davies show, 'Memories and Nightmares' !!!!


What a fabulous opening week we had with 2 previews, lots of wonderful feedback & an artist talk with the lady herself this Thursday at 6.30pm - £5 (If you want to book a place please email hello@lauraannnoble.com to be on the list as they are going fast.) The Cass is easy to find with an entrance around the side of the building. When inside the space there is a great view of The Whitechapel Gallery opposite. Exit Aldgate East tube & take the Met exit. A nice way to spend a Thursday evening I must say, begin at L A Noble Gallery then pop over the road & catch another exhibition! 



©Laura Noble 


The hang was a somewhat pressured affair with a day lost thanks to a Bank holiday, but it was all done in a day with minor tweaks afterwards. I must say a huge thank you to 'Team Noble' for all your help this last week: Rowan, George, Becky, Chris, JasonKatherineCamelia, Beatriz & of course to Lottie.  

©Laura Noble

So first things first on any hang, make sure you know how everyone takes their tea to avoid delays later when parched.


©Laura Noble
When you find a suitable A-Board, make sure any prior notices are removed!      

                                                
©Laura Noble
Measure everything to the last millimetre, even if it takes two of you. Use a spirit level to check as you go as measurements are not enough as no floor is ever level in London it seems...

©Laura Noble

Here the middle of the print is held with a piece of foam so that no hands touch the print. I am a firm believer in gloves, but not cotton ones, they collect lint & scratch things, namely photographs.

©Laura Noble

Curating the show was an interesting affair & the space is a great size, giving all 12 large works space to breathe. Seating is placed around the gallery people to sit & contemplate if they wish. After seeing the Sugimoto show at the Serpentine Gallery years back I loved the benches in the middle of the space. Never have I seen the gallery so quiet. About time photography got a look in on the meditative angle of things in gallery spaces I thought, it's not just Rothko that can have this effect. Davies' images are so multi-faceted it takes a long view to really get into the work, so why not give the audience the opportunity? 


                                               
©Laura Noble
       Chris looks in awe at the magic sign.

The  Contravision window poster is an amazing thing, letting light inside but appearing opaque on the outside, thanks to lots of tiny holes. Many thanks to Lawrence at Tapestry & Martin who put it up for me, fabulous job & 2 lovely gents. 

©Laura Noble
Camelia stands ready for action

The table set and we were ready to go, the rest of the pictures from the evening will be posted later & on the gallery Facebook page.

©Laura Noble
The Saturday Private View was a very British affair with tea & cake. The vintage china teacups & saucers were provided by Rare & Racy . They were a wonderful afternoon accompaniment to the busy event. 
©Laura Noble

One of the absolute highlights for me was meeting the models in the photographs & some of the people whose dream or nightmare was depicted by Lottie. 

©Laura Noble

The twins, Eleanor & Daizy were absolutely charming girls who told me that they were 7 when the photo was taken & are now 10. They also said the wigs itched & it was hard to keep their faces straight for the photograph. I suspect there was a lot of giggling between takes. 

©Laura Noble

Caroline stood in front of her nightmare loved work & was wickedly funny. 


©Laura Noble


Lottie will have to tell me the name of this lovely young lady Olivia, who proudly posed for me minus the bonnet which she wears in this photograph, 'The River'. What an amazing image to be part of.

©Laura Noble


Adorable still, perhaps even moreso as baby Maria is all grown up in front of the image she appears in 5 times 'Quints'. 



©Laura Noble


Then Jack, who I was informed hates having his picture taken but I managed to coax a smile from. 

Each had their own tale to tell about taking part in the making of the photograph, which propels the work further as a never-ending spiral of stories linking one person, dream or memory to another & on to the next.....

I expect there will be many more at Lottie's talk on Thursday. Be sure to come & get up close & personal to both the work & the artist & see what other anecdotes unravel.