Showing posts with label Lottie Davies. Show all posts
Showing posts with label Lottie Davies. Show all posts

Wednesday, 25 June 2014

Telling Tales #3 Lottie Davies 'Love Stories'

©Lottie Davies Courtesy of L A Noble Gallery
Title: Waterloo Station (Anthony and Joy 1975)  (2013)
Series: Love Stories

To see the full premise of Lottie Davies Love Stories series I encourage you to look at her blog & perhaps even send your own story…

By collecting the stories (written accounts) from both parties involved Davies recreates the first meeting of couples from all walks of life. This on-going series does not set out to accurately depict each meeting – as to do so would be frankly impossible. In asking for the ‘story’ of the meeting from each person concerned in written form she is presented with tow versions of the same event. As with her other work Davies allows for a dialogue between the written word & visual interpretation – using her artistic licence to narrate the story within the framework of the initial text. Not dissimilar to the process of making a movie from an existing work of fact or fiction such as a novel or screenplay, alterations are made, lights go on & the camera rolls.

In Davies' case the camera shoots still images but the principle is the same – however her goal is to do so in one still image. Without the luxury of the moving image many elements have to be presented to the viewer in one sitting. 
Millennium Falcon
©Lucasfilm Incorporated
Oh I remember the days...

When conveying multiple narratives in one ‘take’ attention to detail is everything. The less post-production the better, a realness can be delivered like Star Wars using miniature model star ships rather than CGI – not to say that no special effects are ever needed, but the more that can be done in the ‘real’ the better & more believable the resulting work. The frame becomes the stage for a tableau. The medium allows it to breathe as the life-like duplication of her characters are brought to life.

Although the location, people and era may be changed from the original transcripts, the emotional feeling shown is not. As with her series Memories and Nightmares when the author’s of the first texts see the finished result the undoubtedly express their joy at the ability Davies has to depict their feelings of the time they wrote about.

In doing so we as the viewer are given carte blanche to make our own interpretations of the story – often placing our own feelings and narrative with the work.


©Chloe Rosser 
Lottie Davies (centre) with actors
Kirsty Ellen Wright & Samuel J Weir at L A Noble Gallery 


Her nimble fingers edit and spice these stories into cohesive wholes – but like any great story, we are left with personal interpretations of our own.

25th June, 18:30 – 20:00, Lottie Davies will be giving a talk about her work on Love Stories followed by a Q&A. After this one of the actors, Sam J Weir, in her photographs will be giving a performance especially written and directed by her for the exhibition. 

Works from Love Stories 2012-2014 by Lottie Davies will be on display at L A Noble Gallery as part of Capturing The Narrative: A visual exploration of fact & fiction
For further details see the website here.

Narrative Values – Artists Talks & performance programme – Wed Evenings at L A Noble Gallery

25 June 2014  - 18.30 – 20.00
Lottie Davies will discuss the use of narrative as a constant theme within her practice, followed by a Q&A.
After the talk actor Samuel J Weir – who appears in Davies’ work - will be performing a work directed by Lottie Davies.

Places are extremely limited. To book a place, please email hello@lauraannnoble.com with ‘Narrative Values – talk reservation’ in the subject line. Spaces will be reserved till 6pm. 

Tickets on the door will be subject to availability on the night. Any latecomers will not be able to enter the building after 6.15pm as the talk is being recorded.
£5 per-person (Please include your telephone number for conformation.)

The gallery will be open as usual from 11.00 – it looks to be a fascinating & intimate evening – we look forward to welcoming you.






Wednesday, 14 May 2014

Telling Tales #1


©Johanna Ward ©Brittain Bright ©Lottie Davies

With only a few weeks to go till the next exhibition opens at L A Noble Gallery I finally have some time to reflect & write my blog dear readers...


The theme of the show is all in the title, Capturing The Narrative: A Visual Exploration of Fact & Fiction - with works by three fantastic artists Brittain Bright, Lottie Davies & Johanna Ward. They each use photography to tell stories - albeit their own or someone else's in a very different way…

©Brittain Bright

Despite their different approaches, each photographer ultimately offers their narrative to the viewer to interpret as they see fit. Dictating a story in pictures rather than text is never the intension. Although images will always paint a more ambiguous picture than the written word, a great deal of care has been taken by each artist to direct rather than impose the meanings, stories & layers of each work. In doing this each photograph stands up in its own right alone when in isolation from the other images in the series it is part of. 

Approaching the works with this in mind perhaps relaxes our approach. The key to enjoying & getting the most out of the work is not to try to fully understand each & every picture or even every intension of the artist when, why & how the image was made. By gazing at the images, taking your time (something I rarely see in galleries & museums these days) & really looking the most remarkable details can reveal themselves when you least expect it. 


At this early stage I won't go into detail on the works in the forthcoming exhibition - as the best time to reflect upon these is over time - which I always find divulge more to me the longer I live with the work (I adore it already - but good works just keeps getting better) on the gallery walls; part of the addiction that is living & working with art! Having time to spend with a work is never a bad thing. Even if you don't like something aesthetically it doesn't mean that it has nothing to offer you intellectually. Dismissing a work as bad or being overtly critical is much easier to do than finding something within it to discuss. I'm sure the proliferation of imagery in our lives gives us a faster response time in registering what a picture is - but context is everything. Glancing at a pile of images on a search in Google is one thing - but standing in front of a work of art on a wall is another. This wall may be in a museum, gallery or even someone's home. We find it hard to disassociate from the works 'value' in monetary terms - but stop & think about it's cultural significance. 


Emily Allchurch & Lisa Creagh looking fabulous as ever

I recently visited the Richard Hamilton exhibition at Tate Modern with two of my artists Lisa Creagh & Emily Allchurch. Today with a more sophisticated understanding of advertising, corporations & capitalism it would have been easy to renounce some of his work as his critique of the aforementioned as clear & obvious today.

The Critic Laughs (1971-2) by Richard Hamilton (1922-2011)
©The estate of Richard Hamilton

But stopping & placing them in the context of when they were made - the work suddenly commands a deeper respect. There is always value in looking back. Often the aesthetic language we take for granted has got lost in the hectic mass-media filled lives we live today. Has something stood the test of time or even predicted the reality we live in now back then…?

Phillip K. Dick

When I am discussing this phenomenon one person always springs to mind, Phillip K. Dick. Now I am no expert on his work, let me make that clear from the outset (this is territory I cannot compete with much more learned readers of his work) but I am constantly amazed by his almost mystical foresight. If I mention his name only my best geek friends know who he is. I give a clue first, saying he wrote Do Androids Dream of Electric Sheep?. If that is met with a blank stare I know there is more explaining to do, usually starting with "You might know it as Blade Runner?" To which an "Ooooh HIM, oh yes" is the usual response. Short of a very long essay as to why he is so relevant today, but I would never finish this post so just one example to make my point



Film adaptations of his works such as Minority Report 1956 - based on a science-fiction short story by PKD - focus on precognition of crimes yet to be committed. Taken in context - written nearly 60 years ago - this would seem excessively paranoid, however a research paper on Precognition Agents exists today! See here for the paper by the Scottish Executive Research Unit. Science fiction can be strangely predictive


(A great short story by PKD I would reccomend is a disturbing tale called The Hanging Stranger & my favourite book is Man In The High Castle, if you were interested.)


©Duane Michals
The Vanity of Animals, 2004
11 x 14 Silver Gelatin Photograph, Ed. 25


Whilst thinking about narrative photographers I must mention the might Duane Michals - whose work I love - the man even moreso as his witty persona & passion for photography made for one of the best artist's talks I have ever seen. See more of his work here


©Duane Michals

This work about Schrodinger's Cat is a particular favourite & still makes me chuckle. A nice way to end Telling Tales #1. 

More tall tales in my next post! 

Details of the next show & programme of events are below. I'm really looking forward to all of the events & interpretations by writers & the dashing actor Samuel Weir (who appears in Lottie's work).

Due to limited space please book early to avoid disappointment - pre-paid places will take priority. We have in the past had to turn people away, so please contact the gallery via hello@lauraannnoble.com to secure your place. 

Exhibition: L A Noble Gallery

Capturing The Narrative: A Visual Exploration of Fact & Fiction - with works by Brittain BrightLottie Davies & Johanna Ward.

12 June - 5 July 2014

Free Entry
Opening Hours: 11.00 - 18.00 Tue - Sat

Venue: Maybe A Vole, 51 King Henry's Walk, London N1 4NH
Transport: Dalston Kingsland Overground

EVENTS:
Programme of Literary evenings: £5 pp - payable in advance (tickets on the night subject to availability)

BOOKING NOW:

Wed 18 June, 18.30 - 20.00
Brittain Bright, artist talk about Narrative Photography. 

Wed 25 June, 18.30 - 20.00 
Lottie Davies artist's talk with performance by Samuel Weir, directed by Lottie Davies

Wed 2 July
18.30 – 20.30
Johanna Ward artist's talk followed by a spoken word performance inspired by her work.

Collecting for Beginners
Sat 28 June
14.00 – 17.00 (Payment in advance, non-refundable, Poa)
Book a place for these events by emailing hello@lauraannnoble.com
Please include a contact telephone number for confirmation.
For further information please see the website























Saturday, 13 April 2013

Lottie Speaks! So far so good...more stars come out to play...

©Laura Noble

Well, it was another wonderful event at L A Noble Gallery Thursday night with Lottie Davies giving a lively talk to an enthralled audience. Rather than a sit down affair we opted for a walk around the space so that each photograph could be looked at & discussed in detail. 


©Laura Noble

It was in fact so popular we are going to do it again! Thursday May 2nd same time 6.30pm - £5 - so if you missed it please do email hello@lauraannnoble.com to book a place as we will run out of them fast!



 ©Laura Noble
Here is a panoramic picture of part of the very large gallery space - taken with my phone - so you get the gist.

I know the work very well, yet - as is always the case with great works of art - they don't reveal themselves all at once. Looking at the work & living with it is great. 

I always miss the work being on the wall when a show is over as it becomes part of my subconcious (as well as my actual daily surroundings) leaving a gap when its not there any more. Call me sentimental, but the bond that grows between a work of art & its owner/gallerist is a very profound thing. This phenomenon is common as many people talk about the work they own as if it were a person, referring to it by slotting its title or pet name/nickname given to it (often due to long titles & quicker to reference). 


©Laura Noble

Hearing an artist speak about their work is often not what one expects. Sometimes the person is not what we pictured or their personality is dramatically different from their work. 

Of course with Lottie I know her & the work, but that does not mean I know everything. Just as I described in an earlier post 'Upon Closer Inspection...' there is a lot more to it than that. Each time Lottie talks about a specific piece I learn more, what joy! This is how it should be. 

 ©Laura Noble
I couldn't decide which pic was best so I thought with/without Lottie, you choose your favourite.

©Laura Noble

For example the behind the scenes bloopers are fascinating & in some cases hilarious. The 'yellow snow' story brings a deeper understanding of the trials of working with babies & fake snow & make you appreciate the achievement seamless image on display just a little bit more. 

Because these works are made from the text people sent to Lottie, they then become something entirely different as she cannot replicate the image in their mind but attempts (& succeeds according to the authors of the texts) to capture the 'feeling' that the person had when they were having the nightmare or at the time of the memory. , but gather other stories of their own along the way that we never even see. Above is the culprit himself. No longer an infant but a very cute little boy called Arlo. 


©Laura Noble

This was in the comments book a few days ago. Now we have many more wonderful messages...thank you everyone. 

Here are a few of them...

©Laura Noble

So the space is large & fits all 12 photographs inside, the whole series for the very first time - importantly on home soil. We should support British photography more in the UK, cherish our talent much more than we do. Lottie Davies is just one of many. Come visit & see why.

©Laura Noble

The discovery of the panoramic feature on my iPhone is somewhat of a revelation (I have only had one a little while) & a very useful feature I must say.

©Laura Noble

Here are another curious pair of observers playing 'spot the Bible'. This has become a regular thing with the word out that it is not easy to find. No-one has yet to do it successfully - you could be the first. Forget where's Wally, where has all the religion gone? 


©Laura Noble

Here is another photo-star, this time Ella now. Then the sleeping girl in 'The Red Devil'. 

So there it is for another post. Do come & see the show & spread the word about it to others. The entrance to the building is around the right hand side if you are facing it. I look forward to seeing you. Portfolio reviews are still being conducted in the gallery as usual, to book one or a place at the talk please email. Till another post....







Monday, 8 April 2013

A long time coming....meeting the stars



Well it is finally here, the wonderful & amazing Lottie Davies show, 'Memories and Nightmares' !!!!


What a fabulous opening week we had with 2 previews, lots of wonderful feedback & an artist talk with the lady herself this Thursday at 6.30pm - £5 (If you want to book a place please email hello@lauraannnoble.com to be on the list as they are going fast.) The Cass is easy to find with an entrance around the side of the building. When inside the space there is a great view of The Whitechapel Gallery opposite. Exit Aldgate East tube & take the Met exit. A nice way to spend a Thursday evening I must say, begin at L A Noble Gallery then pop over the road & catch another exhibition! 



©Laura Noble 


The hang was a somewhat pressured affair with a day lost thanks to a Bank holiday, but it was all done in a day with minor tweaks afterwards. I must say a huge thank you to 'Team Noble' for all your help this last week: Rowan, George, Becky, Chris, JasonKatherineCamelia, Beatriz & of course to Lottie.  

©Laura Noble

So first things first on any hang, make sure you know how everyone takes their tea to avoid delays later when parched.


©Laura Noble
When you find a suitable A-Board, make sure any prior notices are removed!      

                                                
©Laura Noble
Measure everything to the last millimetre, even if it takes two of you. Use a spirit level to check as you go as measurements are not enough as no floor is ever level in London it seems...

©Laura Noble

Here the middle of the print is held with a piece of foam so that no hands touch the print. I am a firm believer in gloves, but not cotton ones, they collect lint & scratch things, namely photographs.

©Laura Noble

Curating the show was an interesting affair & the space is a great size, giving all 12 large works space to breathe. Seating is placed around the gallery people to sit & contemplate if they wish. After seeing the Sugimoto show at the Serpentine Gallery years back I loved the benches in the middle of the space. Never have I seen the gallery so quiet. About time photography got a look in on the meditative angle of things in gallery spaces I thought, it's not just Rothko that can have this effect. Davies' images are so multi-faceted it takes a long view to really get into the work, so why not give the audience the opportunity? 


                                               
©Laura Noble
       Chris looks in awe at the magic sign.

The  Contravision window poster is an amazing thing, letting light inside but appearing opaque on the outside, thanks to lots of tiny holes. Many thanks to Lawrence at Tapestry & Martin who put it up for me, fabulous job & 2 lovely gents. 

©Laura Noble
Camelia stands ready for action

The table set and we were ready to go, the rest of the pictures from the evening will be posted later & on the gallery Facebook page.

©Laura Noble
The Saturday Private View was a very British affair with tea & cake. The vintage china teacups & saucers were provided by Rare & Racy . They were a wonderful afternoon accompaniment to the busy event. 
©Laura Noble

One of the absolute highlights for me was meeting the models in the photographs & some of the people whose dream or nightmare was depicted by Lottie. 

©Laura Noble

The twins, Eleanor & Daizy were absolutely charming girls who told me that they were 7 when the photo was taken & are now 10. They also said the wigs itched & it was hard to keep their faces straight for the photograph. I suspect there was a lot of giggling between takes. 

©Laura Noble

Caroline stood in front of her nightmare loved work & was wickedly funny. 


©Laura Noble


Lottie will have to tell me the name of this lovely young lady Olivia, who proudly posed for me minus the bonnet which she wears in this photograph, 'The River'. What an amazing image to be part of.

©Laura Noble


Adorable still, perhaps even moreso as baby Maria is all grown up in front of the image she appears in 5 times 'Quints'. 



©Laura Noble


Then Jack, who I was informed hates having his picture taken but I managed to coax a smile from. 

Each had their own tale to tell about taking part in the making of the photograph, which propels the work further as a never-ending spiral of stories linking one person, dream or memory to another & on to the next.....

I expect there will be many more at Lottie's talk on Thursday. Be sure to come & get up close & personal to both the work & the artist & see what other anecdotes unravel.